The Latest

faultlineartspace:

Early mornings in the studio are the best. (at faultline art space)
Apr 23, 2014 / 3 notes

faultlineartspace:

Early mornings in the studio are the best. (at faultline art space)

simply-divine-creation:

Anthropologie Sissinghurst Castle Dinner Plate
Apr 22, 2014 / 778 notes

simply-divine-creation:

Anthropologie Sissinghurst Castle Dinner Plate

(via maketheskyblue)

artreats:

~ followers with a plan ~
aubreylstallard:

Chris Johanson
Apr 21, 2014 / 263 notes

artreats:

~ followers with a plan ~

aubreylstallard:

Chris Johanson

(via hankeatspaint)

Apr 20, 2014 / 82 notes
artgalleryofontario:

The Gleam, Northern Quebec, c. 1935Johnston, FranzOil on panelOverall: 30.5 x 39.7 cmGift from the Fund of the T. Eaton Co. Ltd. for Canadian Works of Art, 1952© 2014 Art Gallery of Ontario
Apr 19, 2014 / 315 notes

artgalleryofontario:

The Gleam, Northern Quebec, c. 1935
Johnston, Franz
Oil on panel
Overall: 30.5 x 39.7 cm
Gift from the Fund of the T. Eaton Co. Ltd. for Canadian Works of Art, 1952
© 2014 Art Gallery of Ontario

(via darksilenceinsuburbia)

Apr 18, 2014 / 2,898 notes

artchipel:

Hari & Deepti (India/USA)

Hari & Deepti are an artist couple currently based out of Denver, Colorado. Hari (whose full name is Harikrishnan Panicker) is a trained graphic designer and illustrator, born and raised in Mumbai, India where he was a senior designer and an established illustrator. Deepti Nair is a certified geek, an Interaction Designer and also a trained artist.

Hari & Deepti moved to Denver from India and carried with them a Pandora box full of stories and imagination that they bring to life through their intricate paper cut light boxes and paper clay sculptures. They have always been drawn towards the imaginative aspect of story telling and seek inspiration from them. Stories have so many shades and depth in them, and paper as a medium has the exact qualities to reflect and interpret them. They believe that “Paper is brutal in its simplicity as a medium. It demands the attention of the artist while it provides the softness they need to mold it in to something beautiful. It is playful, light, colorless and colorful. It is minimal and intricate. It reflects light, creates depth and illusions in a way that it takes the artist through a journey with limitless possibilities.”

They started experimenting with paper cut shadow boxes in 2010 with hand painted watercolor paper which was then cut and assembled in a wooden box to create a diorama, with years of practice their art became more intricate and minimal at the same time. They started experimenting with lights and simplified their pieces by losing the colored aspect of the paper. They have since then evolved to add their own style of paper cut art incorporating back-lit light boxes using flexible LED strip lights. “What amazes us about the paper cut light boxes is the dichotomy of the piece in its lit and unlit state, the contrast is so stark that it has this mystical effect on the viewers.” (src. Black Book Gallery)

[more Hari & Deepti | artist found at mymodernmet]

(via darksilenceinsuburbia)

Apr 17, 2014 / 2,847 notes

alesusknowles:

Fashion! Put It All on Me ➝ Zuhair Murad Pre-Fall 2014 #1

(via vincecarters)

Apr 16, 2014 / 206,777 notes
It never has.

(via affabulous)

I do not see the relation between art and politics in terms of two separately constituted fields, art on one side and politics on the other, between which a relation would need to be established. There is an aesthetic dimension in the political and there is a political dimension in art.
Chantal Mouffe (via jungjoo)

(via arabellesicardi)

Apr 15, 2014 / 348 notes
Apr 14, 2014 / 21,099 notes